look? And if it's true – how our practical dance experiences determine
our spectator's gaze?
feelings during the work - is dance a more “autistic” art than others?
What else determines us as spectators and writers? Professional
background? Education? Place of birth and social class in which we've
– new genre? Return of “story”.
political, historical imprints on the body and mind – it shows the
author as a “product of circumstances”.
If dance performance refers to another performance, questions the
technique, tells a story of a body located in political, social,
artistic discourses – is dance a discourse itself?